Metalcore powerhouse Wage War have announced their Fall 2026 headline run, dubbed the Emergency Broadcast […]
Author: Drew Osborne
I’m Drew, the founder and editor of Front of the Stage. I have a strong love for music and photography, which started at a very young age. There’s just something I love about experiencing live music and capturing memories that will last a lifetime, and that’s how Front of the Stage came to be.
Rush Return to the Forum: Opening Night of the Fifty Something Tour Delivers an Emotional New Beginning
Rush Begin a New Chapter With Powerful Opening Night of the Fifty Something Tour After […]
Fit for a King Closes Canadian Run with Explosive London Show
Fit for a King’s Lonely God Tour made its final Canadian stop at London Music […]
Saint Agnes Your God Fearing Days Are About To Begin: Their Best Record Yet
Look at the album cover long enough and it starts looking back at you. A […]
Devin Townsend’s The Moth Is the Record He Was Born to Make
Nobody ends up making a record like The Moth by accident. The idea arrived quietly, more than […]
Electric Callboy Turned Toronto’s Coca-Cola Coliseum Into Controlled Chaos — And It Was Glorious
Before Electric Callboy played a single note, the parking lot at Exhibition Place was already […]
Behemoth Destroys Toronto on the Godless IV Tour | Review
When I arrived, I was told fans had been lined up outside History since noon, […]
Armored Saint Hit Hard and Mean It on Emotion Factory Reset
Forty-two years in, and Armored Saint still play like they have something to prove. That’s […]
Port Noir – The Dark We Keep Review: Sweden’s Heaviest Album of 2026 | Progressive Metal
Four years is a long time to wait. Port Noir’s last outing, Cuts, arrived in […]
Gozu VI Review: Boston’s Heavy Soul Rockers Deliver Their Darkest and Most Personal Album Yet
There’s a moment about forty seconds into “Corinthian Leatherface” where the fuzz opens up like […]
Crown Lands Apocalypse Review: The Canadian Prog Duo Delivers Their Most Ambitious Album Yet
Before you hear a note, the cover tells you exactly where you are. A red […]
Black Veil Brides Vindicate Review: Revenge Has Never Sounded This Heavy
The opener doesn’t waste time. “Invocation to the Muse” is two minutes of spoken word […]